Despite their authoritarian light show, those ice-cream trucks of death couldn't do any more for Perkus's murdered infatuation, his crushed crush, than could keening Greek chorus, or a moaning witch doctor.
In Jonathan Lethem's "Chronic City," the imagery of ice-cream trucks of death serves as a dark metaphor for the inability to provide solace or healing in the face of grief. The mention of authoritarianism juxtaposed with playful symbols highlights the absurdity of seeking comfort from those who wield power with a heavy hand. This reflects the futility of looking for redemption or emotional closure in external sources.
The comparison to a Greek chorus and a witch doctor underscores the idea that traditional forms of mourning and healing are ineffective for Perkus, the character grappling with the loss of his infatuation. Despite the theatrical elements surrounding him, they fall short in addressing his profound sense of loss, emphasizing the isolation and complexity of human emotions in a chaotic world.
