Eystein's artistic approach involved an unusual form of deception, where he would incorporate fake elements into his decorations, mimicking materials like wood, gold, or velvet using mere paint. This technique, intended to enhance the sensory experience of his art, revealed a fundamental weakness in Eystein's abilities. It raised questions about authenticity in art and undermined the genuine craftsmanship that should characterize true artistic expression.

Nabokov suggests that Eystein's work illustrates a crucial distinction: authentic art transcends the average perception of reality. Instead of merely reflecting communal views, true art creates its own unique reality, independent from the everyday experiences of society. This commentary implies that effective artistry lies in its capacity to forge new realms, moving beyond mere imitation toward a deeper, more transformative engagement with the world.