Faster! Faster! Move, you lazy good-for-nothings! the Hungarian police were screaming.That was when I began to hate them, and my hatred remains our only link today. They were our first oppressors. They were the first faces of hell and death.
In Elie Wiesel's book "Night," the intense feelings of hatred that arise in the face of oppression are vividly expressed. The Hungarian police, depicted as tyrannical and relentless, are a representation of authority that inflicts suffering on innocent people. Their commands to hurry, filled with disdain, deepen Wiesel's animosity towards them, cementing their image as the initial symbols of brutality and despair in his life.
This hatred becomes a lasting emotional connection, tying Wiesel to his past and the memories of those who oppressed him. The police embody the horrors he faced, making them a vital part of his narrative and illustrating the relationship between oppressor and victim during tragic times. The impact of their actions continues to resonate throughout his experiences, revealing the profound scars left by such persecution.