In Bill Bryson's "Notes from a Small Island," he describes a peculiar architectural feature on a building where life-sized statues of everyday people are placed along the roofline. This unusual display evokes a sense of confusion as it seems to represent a tribute to the common citizens, although the intention is unclear. Instead of a celebration of humanity, it conveys an unsettling image.

The sight of these statues gives the impression that they are about to leap from the building, suggesting a darkly humorous interpretation. Bryson's commentary reflects his bemusement at how this artistic choice might be perceived by passersby, ultimately leaving readers to ponder the true significance behind such a striking and bizarre visual.