In Margaret Atwood's "Alias Grace," the depiction of Heaven reflects a structured and orderly environment, reminiscent of a banking institution. This portrayal suggests that the afterlife is rigidly categorized, with each soul meticulously documented and classified, much like assets in a financial system.

This imagery hints at the Presbyterian belief in a highly organized spiritual realm, where individuals are not only accounted for but also assigned specific roles or places. The comparison between Heaven and a banking establishment raises questions about the nature of salvation and divine judgment, presenting a somewhat impersonal view of the afterlife.