In the works of Samuel Beckett, particularly in "Molloy," "Malone Dies," and "The Unnamable," the concept of eternal suffering is explored through the analogy of Hell, which began with Lucifer's rebellion. This suggests that while the experience of enduring pain may seem infinite, it does not imply that existence in that state has always been the case.

Beckett’s contemplation of time and existence reflects a unique interpretation of being trapped in a perpetual state. The author indicates that one can consider themselves eternally present in suffering, yet recognize that this existence is not timeless. This perspective invites readers to ponder the nature of being and the implications of a finite beginning to an infinite experience.