In George Eliot's "Middlemarch," the protagonist’s anger is portrayed as a powerful force that convinces her of divine support. This feeling of righteous indignation leads her to believe that not only is she justified in her emotions, but that the entirety of heaven is on her side. Such a conviction highlights the intensity of her feelings and the personal significance she assigns to her struggles. This perspective reflects the broader theme of individual conflict and the search for validation in difficult circumstances. By channeling her anger in this way, the character demonstrates how emotions can influence one's understanding of morality and divine favor, suggesting that human passions can invoke a sense of cosmic alignment.

In George Eliot's "Middlemarch," the protagonist’s anger is portrayed as a powerful force that convinces her of divine support. This feeling of righteous indignation leads her to believe that not only is she justified in her emotions, but that the entirety of heaven is on her side. Such a conviction highlights the intensity of her feelings and the personal significance she assigns to her struggles.

This perspective reflects the broader theme of individual conflict and the search for validation in difficult circumstances. By channeling her anger in this way, the character demonstrates how emotions can influence one's understanding of morality and divine favor, suggesting that human passions can invoke a sense of cosmic alignment.