In "The Devil in the White City," Erik Larson weaves a tale of contrasting lives during the 1893 World's Fair in Chicago. One striking detail is the opulence of certain venues, such as a lavish residence featuring a bowling alley where instead of traditional pins, chilled champagne bottles were used. This unique twist highlights the extravagance and indulgence of the era, setting the tone for the excesses associated with the Fair.

The narrative explores themes of ambition and horror as it juxtaposes the grandeur of the Fair with the dark undercurrents of society. Larson vividly illustrates how the pursuit of greatness can coexist with sinister elements, making the events of 1893 a profound commentary on America's transformation during that period.