In "Wolf Hall" by Hilary Mantel, the protagonist reflects on the negative legacy of monastic institutions. He criticizes them for embodying hypocrisy, fraud, and idleness, suggesting that their rituals are outdated and lack genuine innovation. Rather than contributing positively, he argues that their repetitive practices have only perpetuated a corrupt narrative, leading to a history that is misrepresented and biased.

The protagonist questions the credibility of the historical narratives produced by monks, believing they have manipulated history to favor the Church of Rome. This skepticism implies a deeper concern about the authenticity and accuracy of the historical accounts that have shaped society's understanding of the past, highlighting how power dynamics can influence what is recorded and remembered.