I beg your pardon: correct English is the slang of prigs who write history and essays. And the strongest slang of all is the slang of poets.
In George Eliot's "Middlemarch," the author challenges the traditional norms of language and correctness. She argues that the so-called 'correct' English is merely the language used by those who dominate the writing of history and literature, suggesting it is a form of elitism. Eliot highlights that these standards often overlook the rich variety of expression found in everyday speech.
Furthermore, Eliot elevates the language of poets, claiming it to be the "strongest slang" because it captures the essence of creativity and emotional truth. This perspective celebrates the idea that artistic expression, often dismissed as mere slang, holds significant value and depth, showcasing the power of language in all its forms.
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All the things you can talk about in anyone's work are the things that are least important.
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