In her novel "The Bell Jar," Sylvia Plath expresses a strong dislike for Technicolor films. She criticizes the vibrant and exaggerated colors found in these movies, suggesting that they create a superficial and artificial environment. The characters appear as if they are overly focused on their costumes, serving more as visual elements than as genuine figures, which detracts from the authenticity of their experiences.

Plath’s observation highlights how the striking visuals can overshadow deeper narratives. The vivid landscapes, such as green trees and blue oceans, contribute to an atmosphere that feels unrealistic, emphasizing her disdain for this style of filmmaking and its tendency to present an overly stylized reality rather than true emotion.