I often see people on the streets dressed as objects and handing out leaflets. I tend to avoid leaflets but it breaks my heart to see a grown man dressed as a taco. So, if there is a costume involved, I tend not only to accept the leaflet, but to accept it graciously, saying, Thank you so much, and thinking, You poor, pathetic son of a bitch. I don't know what you have but I hope I never catch it.
In Holidays on Ice, David Sedaris reflects on his encounters with street performers dressed as various objects, specifically highlighting those who hand out leaflets while in costume. He expresses a sense of empathy mixed with discomfort when he sees adults donning these playful disguises, which prompts him to accept their leaflets despite usually avoiding them. Sedaris acknowledges the effort and vulnerability these individuals display by taking on such roles, even as he feels a pang of sadness for them.
This internal conflict reveals a deeper commentary on societal expectations and the lengths to which people go to attract attention in hopes of earning a living. While Sedaris admires their courage, he also feels a sense of relief at not sharing their struggle, spurred by the strange sight of a grown man dressed as a taco. His response captures a blend of humor and compassion, highlighting the often-unseen challenges of those in precarious situations while also showing his personal boundaries regarding the performances he encounters.
