In my stolen photographs -- for the photographer must be a thief, he must steal instants of other people's time to make his own tiny eternities -- it was this intimacy I sought, hte closeness of the living and the dead.
In Salman Rushdie's "The Ground Beneath Her Feet," the photographer is portrayed as a thief, capturing fleeting moments from others to create lasting memories. This act of stealing instants reflects the essence of photography as an art form that allows one to hold onto moments in time, transforming them into eternal snapshots. The photographer's role is linked to an intimacy that intertwines the lives of the living and the departed, creating a connection that transcends mortality.
Rushdie emphasizes the emotional depth in photography, where each image tells a story and preserves a fragment of existence. The pursuit of intimacy through stolen photographs highlights the delicate balance between life and death, suggesting that through art, we can bridge the gap between the two. This exploration reveals a profound appreciation for the moments we cherish and the impact they have on our understanding of life and love.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
