Increasingly she's finding it harder to tell the 'real' NYC from translations like Zigotisopolis... as if she keeps getting caught in a vortex taking her farther back in time into the virtual world. Certainly unforeseen in the original business plan, there arises now a possibility that DeepArcher is about to overflow out into the perilous gulf between screen and face.
The protagonist in Thomas Pynchon's "Bleeding Edge" grapples with distinguishing genuine New York City from its digital representations, such as Zigotisopolis. This confusion leads her deeper into the virtual landscape, creating an ever-expanding sense of disorientation as she feels time slipping away and reality becoming increasingly elusive.
Unexpectedly, the company DeepArcher, initially designed for a specific function, is now on the brink of collapsing the divide between the digital realm and real life. This development poses significant risks, suggesting that the boundaries between screen and reality may not only blur, but also threaten to engulf her into an uncertain future.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
