In James Shapiro's "The Year of Lear: Shakespeare in 1606," the author explores the complex relationship between art and authority in Shakespeare's works, particularly in "The Tempest." He questions whether Prospero's benevolent portrayal in the play serves to distract audiences from his authoritarian control over his subjects. This reflects a broader theme in Shakespeare's writing during this tumultuous period in England.

Shapiro delves into the nuances of Prospero's character, suggesting that his artistic and magical abilities might mask the darker realities of his governance. By engaging with these themes, the book urges readers to consider the implications of power dynamics and the role of art as a means of both control and expression, prompting a deeper understanding of Shakespeare’s context and the stark political climate of 1606.