It may look as though I do not know how to start. Funny sight, the elderly gentleman who comes lumbering by, jowl flesh flopping, in a valiant dash for the last bus, which he eventually overtakes but is afraid to board in motion and so, with a sheepish smile, drops back, still going at a trot. Is it that I dare not make the leap? It roars, gathers speed, will presently vanish irrevocably around the corner, the bus, the motorbus, the mighty montibus of my tale. Rather bulky imagery, this. I am still running.
The narrator illustrates a vivid scene of an elderly man rushing to catch a bus, portraying a blend of determination and hesitance. Despite his effort to reach the bus, he hesitates at the last moment, embodying a mix of vulnerability and humor. The description paints a relatable image of someone who, despite their best intentions, struggles with the leap of faith required to seize an opportunity. This moment becomes a reflection on the nature of hesitation and fear in the face of life's fleeting moments.
The bus symbolizes the inevitable passage of time and opportunities that come and go. The elderly man's reluctance to board represents a broader theme of apprehension that many face when confronted with significant choices. The metaphoric comparison to a “mighty montibus” emphasizes the bus's overwhelming presence, suggesting that life’s challenges can feel daunting. As the narrator runs alongside this powerful imagery, it highlights the urgency and internal conflict of reaching for what may be just out of grasp, showcasing the tension between desire and fear.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
