It's impossible that James Joyce could have mentioned "talk-tapes" in his writing, Asher thought. Someday I'm going to get my article published; I'm going to prove that Finnegan's Wake is an information pool based on computer memory systems that didn't exist until a century after James Joyce's era; that Joyce was plugged into a cosmic consciousness from which he derived the inspiration for his entire corpus of work. I'll be famous forever.
Asher is convinced that the mention of "talk-tapes" in James Joyce's work is impossible, given the timeline of technology. This sparks a desire within him to publish an article that argues Finnegan's Wake is connected to modern computer memory systems, suggesting that Joyce must have tapped into a higher level of consciousness to create his literary masterpieces. He fantasizes about the fame that will come from proving this theory.
His ambition to unveil this connection reveals a deep admiration for Joyce's work and an obsession with the idea of transcending time and space in art. Asher believes that by connecting Joyce's writing to concepts not yet invented during his life, he can elevate both the author and himself in the literary world. The aspiration to be recognized and immortalized through this groundbreaking discovery drives his thoughts and ambitions.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
