It was as if whatever had happened had reached some kind of limit. It was like finding the gateway to the past unguarded, unforbidden because it didn't have to be. Built into the act of return finally was this glittering mosaic of doubt. Something like what Sauncho's colleagues in marine insurance liked to call inherent vice.
The passage reflects a sense of reaching a threshold in understanding the past, where returning to it feels both accessible and unrestricted. This evokes a feeling of nostalgia, suggesting a deep longing tied to memories that have remained dormant until now. The imagery of a "gateway to the past" implies a significant moment of revelation or realization, hinting that the journey back in time is fraught with uncertainty.
Moreover, the mention of "inherent vice" introduces the idea that there are flaws or imperfections in the journey of revisiting the past. It suggests that even the act of nostalgia carries its own complexities and uncertainties, analogous to the risks acknowledged by those in marine insurance. This duality of seeking to understand one’s history while grappling with doubt serves as a central theme in the narrative, emphasizing the intricate nature of memory and its implications.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
