In "Bring Up the Bodies" by Hilary Mantel, a complex conversation unfolds where Jane is approached with a proposal to become a "good mistress." This request prompts a nuanced reflection on the distinction between a typical mistress and the idealized version implied by the term "good." The title suggests a relationship that is deeper and more refined than mere concubinage, hinting at a connection characterized by admiration and a sustained, romantic pursuit.

The exchange of glances between Jane and her interlocutor indicates an unspoken understanding of the emotional and social implications entwined in this request. It raises questions about Jane's awareness of these subtleties and her feelings about entering into such a relationship. The idea of a "good mistress" points to an intricate dance of courtship, suggesting that while physical intimacy may be involved, the essence of the relationship is more about emotional engagement and respect.