Just think, I say, trying to calm her down. The two of us naked in a car, but safe and sound all the same, kissing each other to the clap of thunder and the sound of the driving rain!This is impossible, she says.But just think. Wouldn't you like, from this snug little shelter in the midst of cosmic rage, to stick your tongue out to the entire world?
The protagonist attempts to reassure the woman in the car by focusing on their intimate situation amidst a storm. Despite the chaos outside, he emphasizes their safety and connection, suggesting they share a moment of joy and defiance against the world's turmoil. His words are meant to inspire a sense of freedom and escape from reality, enticing her to embrace the experience rather than succumb to fear.
She remains skeptical about the situation's feasibility, highlighting her reluctance to fully engage in the fantasy he describes. Nevertheless, the protagonist's invitation to imagine a playful act of rebellion against the external chaos suggests a longing for shared courage and spontaneity, proposing that they find solace and joy in each other despite the storm's ferocity.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
