This excerpt paints a vivid picture of the contrasting perceptions of time and space across different locations. The imagery of the sun slipping below her horizon versus the morning in La Jolla emphasizes the vastness of the world and the relative nature of experience. In the context of Mohsin Hamid's '(Exit West)', such a description invites reflection on transition — not just physical or geographical but also emotional and existential. The old man living by the sea symbolizes a life rooted in stability, tradition, and perhaps nostalgia, gazing over an eternal expanse of the Pacific Ocean that stretches beyond immediate comprehension. The contrasting times underscore how individual's lives are influenced by their environment, yet interconnected in the broader human experience. Nature serves as both a backdrop and a catalyst for internal states, highlighting that moments are fleeting yet interconnected, and perception is inherently subjective. It prompts consideration of how humans interpret reality through the lens of their position in time and space, often yearning for a broader understanding or escape from their realities. The setting in La Jolla, with its serene oceanscape, invokes feelings of calmness and reflection, suggesting a place of introspection amid turbulent or shifting internal worlds. This juxtaposition of worlds and moments encourages a recognition of the shared rhythm of life, despite varied experiences, enhancing our appreciation for the subtle, often unnoticed, seamless flow of existence across different horizons.