Lenny Bruce once characterized flamenco in a rather humorous and critical way, suggesting that the dance involves a performer who essentially praises their own body, particularly their behind. This perspective reflects a certain level of irony and perhaps commentary on self-adoration in art forms. Bruce's description implies a certain vanity inherent in the performance, where the dancer's appreciation extends primarily to themselves.

David Rakoff's reference to Bruce’s quote highlights the interplay between art and self-perception. Flamenco, known for its passionate expression and intricate movements, can also be seen through a lens of self-celebration. This interpretation encourages discussions about the nature of performance art, where the boundary between artistry and self-promotion may blur, leading to both admiration and critique of the artistic display.