Like hell he was, said the first C.I.D. man. I'm the C.I.D. man arround here. Major Major could barely recognize him because he was wearing a faded maroon corduroy bathrobe with open seams under both arms, linty flannel pajamas, & worn house slippers with one flapping sole.

Like hell he was, said the first C.I.D. man. I'm the C.I.D. man arround here. Major Major could barely recognize him because he was wearing a faded maroon corduroy bathrobe with open seams under both arms, linty flannel pajamas, & worn house slippers with one flapping sole.

๐Ÿ“– Joseph Heller

๐ŸŒ American  |  ๐Ÿ‘จโ€๐Ÿ’ผ Novelist

๐ŸŽ‚ May 1, 1923  โ€“  โšฐ๏ธ December 12, 1999
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In Joseph Heller's "Catch-22," a C.I.D. officer asserts his authority with a bold declaration, emphasizing his role in the situation. This confident statement contrasts sharply with the appearance of Major Major, who is depicted in a disheveled state, wearing a faded bathrobe and old pajamas. The stark difference between the C.I.D. man's self-assurance and Major Major's unkempt look highlights the absurdity of the characters within the story.

This scene further illustrates the overarching theme of chaos and confusion in "Catch-22." While the C.I.D. man believes he holds power, Major Major's frail presence serves as a reminder of the vulnerability and disarray that permeate military life. Heller's portrayal of these characters encapsulates the irony and struggle of individuals navigating a nonsensical system, resonating with the reader's understanding of authority and identity.

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