Looking for you, ye wee fool! And what in the name of all holy are you doing here? And dressed like that, God damn you! He'd had the briefest look at her in her breeches and shirt, but it was enough. In her own time, the clothes would have been so baggy as to be sexless. After months of seeing women in long skirts and arisaids, though, the blatant division of her legs, the sheer bloody length of thigh and curve of calf, seemed so outrageous that he wanted to wrap a sheet around her.
In this passage, the character expresses a mix of frustration and concern towards a woman's appearance and choice of clothing. His reaction stems from cultural differences, as he is used to seeing women in more conservative garments. The striking contrast of her wearing breeches and a shirt elicits a strong emotional response, indicating that the setting and societal norms have changed his perceptions of femininity and modesty.
Furthermore, the character’s thoughts reveal his protective instincts, as he feels a desire to shield her from scrutiny by wrapping her in a more traditionally acceptable garment. His reaction highlights the tension between personal feelings and societal expectations, emphasizing the complexities of gender roles in different contexts.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
