Man, didn't anybody ever tell you that art is propaganda? It doesn't matter whether you think it should be or it shouldn't be, it just is, and motherfucker, like or not, you're sitting on a funky Magna Carta.
In Paul Beatty's "Slumberland," the notion of art as propaganda is boldly asserted. The statement emphasizes that art inevitably communicates messages and ideas, whether intentional or not. This perspective challenges the romantic notion of art as purely an expression of beauty or personal emotion, suggesting that every piece of art carries broader implications, influencing societal views and ideals.
The reference to a "funky Magna Carta" implies that the power of art can be revolutionary, shaping cultural narratives much like the historic document that established fundamental rights. Beatty's words provoke a reflection on how we perceive art and its role in society, urging readers to recognize the inherent political and social dimensions in creative expressions.