In Nick Hornby's "Juliet, Naked," a character named Ros reflects on an event from 1964, suggesting that the allure of a dead shark was more captivating than the Rolling Stones concert in town. This observation highlights the unique and often unpredictable nature of public interest, where seemingly trivial experiences can overshadow significant cultural happenings.

Ros's comment serves as a commentary on how personal interests can sometimes eclipse iconic moments in music history. The juxtaposition of a rock concert and the thrilling oddity of a dead shark underscores the complexities of what draws people’s attention and how individual preferences can significantly shape experiences and memories.