Milena - what a rich heavy name, almost too full to be lifted, and in the beginning I didn't like it much, it seemed to me a Greek or Roman gone astray in Bohemia, violated by Czech, cheated of its accent, and yet in colour and form it is marvellously a woman, a woman whom one carries in one's arms out of the world, and out of the fire, I don't know which, and she presses herself willingly and trustingly into your arms.
Franz Kafka reflects on the name Milena, describing it as a compelling and substantial name that carries significant weight. Initially, he expresses a dislike for it, suggesting it feels misplaced in its Czech context, as if it has lost its inherent identity. Despite this, he acknowledges its feminine essence, revealing a complex admiration for the name that transcends his initial reservations.
Kafka's portrayal of Milena evokes a sense of intimacy and safety, as he imagines her as a woman who embodies comfort and trust. The name transforms into a symbol of a deep connection, evoking a profound emotional response where one feels compelled to protect and cherish her. This duality in his perception encapsulates the depth of his feelings, intertwining affection with a sense of loss and nostalgia.
