No, never mind, I didn't think so. Mead, Dante's theme is man-not a man.' Lowell said finally with a mild patience that he reserved only for students. The Italians forever twitch at Dante's sleeves trying to make him say he is of their politics and their way of thinking. Their way indeed! To confine it to Florence or Italy is to banish it from the sympathies of mankind. We read Paradise Lost as a poem but Dante's Comedy as a chronicle of our inner lives. Do you boys know of Isaiah 38:10
In this excerpt from "The Dante Club" by Matthew Pearl, Lowell expresses a gentle reminder to his students about the broader significance of Dante's work. He points out that some Italians strive to limit Dante's identity and political affiliations to Florence or Italy, which he believes diminishes the universal appeal of his themes. Instead, Lowell emphasizes that Dante's exploration of man transcends national or political boundaries, resonating with the human experience as a whole.
Lowell further contrasts the reception of Dante's "Divine Comedy" with Milton's "Paradise Lost," suggesting that while the latter is viewed simply as a literary work, Dante's epic serves as a reflection of our inner psychological struggles. He also references a biblical verse to deepen the discussion about the nature of life's suffering and understanding, reinforcing the timeless relevance of Dante's insights to human existence.