No sooner had she been favored with a scathing description of this gentleman's errand than she conceived the notion of returning to the modiste who created them, two ball-dresses, one opera-cloak, and a delicious promenade dress, with gathered sleeves and a high, arched collar, which was designed to be worn with a Spanish lapeled coat of fine orange merino adorned with epaulets and a border of raised white velvet. Sherry, however, when she suggested this sacrifice, was horrified, and forbade her either to do any such thing or to bother her head over such matters.
The story reveals a woman who, after receiving a harsh critique of a gentleman's intentions, considers returning her exquisite dresses to the designer. These garments include two intricately designed ball gowns, an elegant opera cloak, and a stylish promenade dress paired with a striking coat. This moment reflects her impulsive nature and desire to act on her feelings about her wardrobe in light of the scathing remarks.
However, her friend Sherry reacts strongly against this plan, expressing horror at the idea and firmly discouraging her from pursuing such a drastic course of action. Sherry's protective stance highlights their friendship and suggests a social pressure regarding the value of such beautiful clothing and the reactions of others.