Olive trees are intimate creatures, eloquent in their twistedness. It's easy to understand why the ancients believed human spirits could be trapped inside them.
In "Middlesex," Jeffrey Eugenides presents olive trees as deeply symbolic, suggesting an inherent complexity in their form and presence. The trees are described as having intimate qualities, their twisted shapes conveying a sense of eloquence and depth. This imagery reflects not only the physical characteristics of the trees but also their profound connection to human experience.
The idea that ancient cultures believed human spirits could inhabit these trees emphasizes the relationship between nature and humanity. It suggests a mystical bond, where the trees serve as vessels for human emotions and stories, inviting contemplation about life, death, and the connections that tie people to the natural world.
