On every door the management had placed a photograph of the person so they could find their room. As he went by he saw face after face of someone who used to be young.
In Fannie Flagg's "Can't Wait to Get to Heaven," the management of a facility has put photographs of residents on each door to assist visitors in locating their rooms. This detail highlights the personal connection to the individuals who once thrived in their youth, adding a layer of nostalgia to the setting.
The protagonist reflects on the images seen on the doors, noticing that each photograph captures a face that once...