our growing conviction that no thoroughly honorable business-man who is this side of dotage ever advertises for a lady stenographer who is a blonde, is good-looking, is quite alone in the city, or will transmit her photograph. All such advertisements upon their face bear the marks of vulgarity, nor do we regard it safe for any lady to answer such unseemly utterances.
In Erik Larson's "The Devil in the White City," the author explores the dark undercurrents of the 1893 World's Fair in Chicago, depicting both the architectural marvels of the event and the sinister actions of H.H. Holmes, a serial killer of the time. Amidst the grandeur, Larson delves into societal norms and expectations, particularly focusing on how women were often objectified in the workplace, as exemplified by inappropriate advertisements seeking specific physical attributes.
The passage reflects a judgment on the morality of businessmen who seek to hire women based on superficial characteristics. It highlights the vulgarity of such requests, implying that any honorable person would refrain from publishing ads that demand certain appearances or personal situations. Such practices not only demean women but also pose risks for those who respond, reinforcing the notion that integrity should prevail in professional settings.
