Thomas Pynchon reflects on the profession of Saltimbanco, suggesting it is on the decline, a sentiment he admits during lighter moments. This statement indicates a nostalgic view on a craft that is losing its significance in modern society.
Pynchon further laments that the finest talents from this art form have transitioned into politics, highlighting a shift in where skills and charisma are now directed. This observation may imply a critique of contemporary values, where the allure and importance of entertainment careers are overshadowed by political pursuits.