She said that everything had colour in her thought; the months of the year ran through all the tints of the spectrum, the days of the week were arrayed as Solomon in his glory, morning was golden, noon orange, evening crystal blue, and night violet. Every idea came to her mind robed in its own especial hue. Perhaps that was why her voice and words had such a charm, conveying to the listeners' perception such fine shadings of meaning and tint and music.
This passage vividly illustrates how perception can be infused with color, transforming the way we experience the world and communicate our ideas. The imagery employed here suggests that the mind's eye is capable of assigning hues to concepts, times, and emotions, creating a kaleidoscope of visual impressions that enhance understanding and appreciation. The associations of different parts of the day with specific colors—golden morning, orange noon, blue evening, violet night—highlight how natural phenomena and time imbue our lives with a palette that subtly influences mood and perception. The idea that every thought is robed in its own own hue signifies a rich inner world where colors symbolize feelings, thoughts, and meanings, giving depth to what might otherwise be simple notions. This colorfulness in cognition might also explain why some people communicate with exceptional charm; their words evoke vivid images that resonate on a sensory level, making their speech more engaging and memorable. The description emphasizes a poetic intertwining of perception and emotion, suggesting that an appreciation for such fine gradations of color can deepen our experience of reality. Reflecting on this illuminates how art, poetry, and language serve to express the subtleties of human perception—showing that beauty often resides in the nuanced, intangible aspects of human thought and feeling. It invites us to consider how our own inner worlds might be painted with their unique spectrum, enriching our understanding of ourselves and others.
