Sophie was beginning to realize that there was nothing to be done about actors: they would always end up sleeping with each other. They had always done so, and they probably always would.
Sophie recognizes a recurring pattern in the world of actors, where romantic involvement among them seems inevitable and unchangeable. This realization leads her to accept that such relationships are a part of the acting community's fabric, one that has existed in the past and will likely continue into the future. Her understanding reflects a broader commentary on the complexities of human relationships, particularly in high-intensity environments like theater and film.
This acceptance of the actors' behavior illustrates Sophie's growing awareness of the intricacies and challenges of personal relationships in her life. It suggests a level of resignation, as she comes to terms with the emotional dynamics at play among her peers. Sophie's insight serves as a poignant reminder that while we may wish for stability, the nature of love and attraction often defies predictability.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
