Such a thing as the child left alone to die in the hallway was unknown on the marsh. But here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with him. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be.
The narrative reflects on the harsh realities of life in the city, contrasting it with the innocence of the marsh where such tragedies are unfathomable. The observation of a child left to die evokes deep sorrow and highlights the pervasive presence of mortality. In urban environments, dark experiences inflict suffering and loss, revealing an unyielding struggle against despair.
Yet, despite these grim realities, there is a glimmer of hope intertwined within the fabric of existence. The notion that even the irredeemable could find redemption suggests an underlying balance in life. This balancing force indicates that ultimately, every suffering has the potential for restoration, reinforcing the idea that life encompasses both despair and hope.
