The album ends with "Slammin'," which has no words and it's just a lot of horns that quite frankly, if you turn it up really loud, can give you a fucking big headache and maybe even make you feel a little sick, though it might sound different on an album or on a cassette though I wouldn't know anything about that. Anyway it set off something wicked in me that lasted for days. And you cannot dance to it very well.
by Bret Easton Ellis
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The album concludes with a track titled "Slammin'," which is an instrumental piece featuring a cacophony of horns. This particular track is notably intense and can be overwhelming when played at high volumes, potentially leading to discomfort or even a headache. The experience may vary depending on the medium used for listening, such as vinyl or cassette, but the impact it had was strong and lingering for the listener.

The chaotic nature of "Slammin'" evokes a visceral reaction, stirring feelings that resonate beyond the music itself. Despite its effortful composition, it lacks a rhythmic quality that would allow for dancing, illustrating a disconnect between the sound and conventional musical engagement. The lasting effect of this track serves as a captivating moment within the broader context of the album.

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