The gun locked open and he slammed another magazine in. As he did it, he either saw or imagined he saw a ripple moving through the cornfield and fired four more shots at it, then stopped, crouched, and stepped sideways across the nose of the truck, saw Robertson facedown in the driveway gravel. He was alive, pushing up with his hands, getting nowhere.
In the scene from "Extreme Prey" by John Sandford, a character reloads his gun and, upon noticing a movement in the cornfield, impulsively fires several shots. His actions reveal a blend of instinct and paranoia, showcasing the tension of the moment. The chaotic atmosphere is heightened as he transitions from shooting to assessing his surroundings.
As he crouches and moves to the side of the truck, he discovers Robertson lying on the ground, struggling to push himself up but unable to get anywhere. This moment emphasizes the dire situation, highlighting the fragility of life amid violence and the unexpected turns of a confrontation.
