the Indians were far too gentle, too peaceable, positively childlike. They squatted for whole evenings in their white straw hats on the earth, motionless as toadstools, content without light, silent. The sun and moon were enough light for them, an effeminate race, eerie but innocuous.
In Max Frisch's "Homo Faber," the author portrays the indigenous people as gentle and peaceful beings, suggesting a childlike innocence. They are depicted as sitting quietly for long periods, seemingly at one with their natural surroundings, finding satisfaction in the simplest forms of light offered by the sun and moon. This imagery evokes a sense of tranquility and deep connection to nature.
The description carries an element of otherness, highlighting their eerie charm while simultaneously emphasizing their harmless nature. Frisch contrasts the raw simplicity of their existence with a modern worldview, inviting reflection on the complexities and richness of life beyond material concerns.
