The more he tries to stop it, the faster it goes. When he lets his hands and face move like they want to and doesn't try to hold them back, they flow and gesture in a way that's real pretty to watch, but when he worries about them and tries to hold back he becomes a wild, jerky puppet doing a high-strung dance. Everything is moving faster and faster, and his voice is speeding up to match.
In Ken Kesey's "One Flew Over the Cuckoo's Nest," there's a compelling depiction of how trying to suppress one's natural impulses can lead to a chaotic and unnatural state of being. The protagonist experiences a struggle between his instinctual movements and the anxiety that comes from attempting to control them. This internal conflict results in a jarring portrayal, where his attempts to restrain himself manifest in exaggerated, erratic motions reminiscent of a puppet, highlighting the tension between freedom and constraint.
As he stops fighting his instincts, he finds grace in his movements, which become fluid and harmonious. This transformation reveals the beauty of unrestrained expression, suggesting that embracing one’s true self can lead to a more authentic and peaceful experience. The passage effectively illustrates the idea that relinquishing control allows for a more genuine and aesthetically pleasing form of self-expression, contrasting with the awkwardness that control brings about.
