This quote from 'LOVE, HATRED AND MADNESS' by ---M.F. Moonzajer--- offers a deeply provocative metaphor about the nature of ghostwriting. The phrase "bears people's children in their body for money" paints the ghostwriter as someone who carries and nurtures creative offspring—ideas, stories, and expressions—that belong to others. There is an implicit tension here: the ghostwriter invests personal labor, creativity, and perhaps even emotional energy into something that ultimately is claimed by another.

In many respects, this can be parallel to experiences of artists or creators who work behind the scenes, contributing significantly but remaining anonymous or unacknowledged. The use of the word "nastiest" seems to express a controversial or perhaps ironic critique—not necessarily of ghostwriters themselves but possibly of the transactional nature of this practice. It raises ethical questions about the commodification of creativity and the sacrifices of personal authorship for monetary gain.

On a broader level, it evokes reflections on authorship, ownership, and identity in creative work. How much of the creator remains in their work if their name doesn't? Is the ghostwriter truly 'nasty,' or is the system in which they operate flawed? This quote encourages the reader to think beyond just writing to notions of power dynamics, recognition, and the price one pays for art when it is consumed in commercial terms. Ultimately, it captures the complex and sometimes uncomfortable relationship between creativity, labor, and commerce.