In his novel "The Moviegoer," Walker Percy expresses a strong aversion to cars. He feels that driving transforms him into an unseen presence, where others only focus on the vehicle rather than the person inside. This sense of invisibility highlights a disconnection between individuals in a modern, car-centric society.

This perspective underscores the idea that cars create barriers between people, preventing genuine interactions. By fixating on the vehicle itself, society often neglects the humanity of the driver, reducing them to just another object on the road. Thus, Percy's reflection serves as a critique of the isolating nature of modern transportation.