In Emily St. John Mandel's "Station Eleven," there is a surprising revelation regarding audience preferences in the early years of a theater group that had explored various modern plays. Contrary to expectations, these audiences showed a clear preference for Shakespeare over the contemporary works presented to them. This reaction indicates a deep-seated appreciation for the timeless quality of Shakespeare's writing, which resonates more profoundly than newer narratives.

This unexpected favoring of classic literature illustrates the enduring power of Shakespeare's themes and characters, suggesting that, even in a changing world, certain works maintain a universal relevance. The theater's experience reflects a broader quest for meaning and connection in art, prompting the group to reconsider their repertoire in light of these audience dynamics.