... they were no more than steaks served up to portly politicians who controlled the personnel departments of the TV stations. {Showgirls in Italy}
This quote vividly portrays a scene of exploitation and superficiality within the media industry, particularly reflecting on the power dynamics involved. The metaphor of 'steaks served up to portly politicians' suggests an image of entities being reduced to commodities—something tender, consumable, and perhaps lacking genuine substance. The description of these showgirls being offered to politicians who 'control personnel departments' underscores how individuals in entertainment are often valued primarily for their objectified physicality or utility rather than their talent or integrity. It hints at a cynical view of the entertainment industry, where power structures dictate the treatment and perception of performers, especially in contexts like Italy where showbusiness has historically been intertwined with political influence and societal perceptions. Such imagery prompts reflection on the pervasive nature of commodification within media and entertainment sectors, revealing how certain figures are manipulated or used as pawns for political or social gains. It also raises questions about authenticity, exploitation, and the loss of individuality amidst institutional and societal pressure. The reference to 'showgirls in Italy' grounds the scene in a specific cultural context, but it echoes a broader critique that resonates globally—highlighting the universal struggles of performers under systems that often prioritize appearance, control, and economic gains over personal dignity and artistic expression. Overall, the quote challenges us to consider the human cost of such superficial entertainment industries and the ethical implications of power being wielded in manipulative and dehumanizing ways.
