In Iran, the people experienced a unique blend of tragedy and absurdity in their everyday lives under a totalitarian regime. To cope with their suffering, they often resorted to humor, using laughter as a means of survival. This environment allowed a deep self-awareness regarding their own shortcomings, which is referred to as poshlust. It became clear that literature and art were not mere luxuries; they were essential for existence and understanding of their reality.

Azar Nafisi's reflections on the work of Nabokov highlight the isolating experience in such a repressive society. It presents a world where distinguishing between true allies and oppressors becomes nearly impossible. This sense of disillusionment resonates deeply, as individuals navigate their lives amidst empty promises and oppressive conditions, seeking meaning and clarity through the power of words and artistic expression.