Is sadness news? So much I had a squeeze squeeze, desire to live in a big city. But what a big city no one I didn't know, I say. So I took the opportunity to look at the band where there is still any afternoon light. I remember space, thoughts in my head. The Riacho Dog, licking whatever came. The coconut tree same. The fantasy, mine now, in this conversation - you ate me. If not, do you tell me: is black black? Is white white? Or: When old age begins, arising from inside the youth. Weight, we came. First owl that will be, I was able to hit it a shot.
The text reflects on complex emotions tied to feelings of sadness and a desire for connection in a bustling city. It evokes imagery of nature and personal introspection, suggesting an exploration of identity and existential thoughts. The mention of familiar elements like the Riacho Dog and coconut tree signifies a longing for comfort against the backdrop of urban life. There is a philosophical inquiry into the nature of existence, as reflected in the dialogue about color and the passage of time.
The author, João Guimarães Rosa, weaves these contemplations within the narrative of his work "Grande Sertão: Veredas," embodying the tension between youth and old age. The metaphor of the owl hints at missed opportunities and life’s unpredictable journey. This rich tapestry of ideas invites readers to examine their perceptions of reality and the inevitable weight of life experiences. Ultimately, the text poses profound questions about clarity and existence, urging reflection on what defines our understanding of the world.
