Vida was sound asleep when I went back to my room. I turned on the light and it woke her up. She was blinking and her face had that soft marble quality to it that beautiful women have when they are suddenly awakened and are not quite ready for it yet. What's happening? she said. It's another book, she replied, answering her own question. Yes, I said. What's it about? she said automatically like a gentle human phonograph. It's about growing flowers in hotel rooms.
In Richard Brautigan's "The Abortion," a moment unfolds where the narrator returns to his room to find Vida peacefully sleeping. Upon turning on the light, she stirs awake, showcasing the ethereal beauty that often characterizes a woman caught between dreams and reality. Her initial confusion is palpable as she questions the disruption of her slumber.
Vida, still in a daze, instinctively tries to make sense of the situation and quickly deduces that the narrator has another book. Curiosity sparks, and she asks about its content, highlighting her gentle and inquisitive nature. The narrator reveals that the book explores the theme of growing flowers in hotel rooms, a concept that illustrates the blend of beauty and the transient nature of life within such environments.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
