{W}e have reason to ask what artists are working specially for children, and whether they are running with the popular tide or saying something special... . In America, we had the 'parlor gift book' makers, but we also had Howard Pyle.
"We have reason to ask what artists are working specially for children, and whether they are running with the popular tide or saying something special." This highlights the importance of evaluating whether children's art is merely following current trends or offering unique, meaningful content. It raises questions about the intentions and originality behind children's artwork and literature.
Louise Seaman Bechtel notes that in America, there were both popular 'parlor gift book' creators and distinguished artists like Howard Pyle, implying a variety of approaches in children's publishing. She suggests that some creators focused on commercial appeal, while others aimed to produce timeless, meaningful art for young audiences, emphasizing the need to distinguish genuine artistic effort for children.
