When a fictional work fails to show change, when it merely indicates that human character is set, stony, unregenerable, then you are out of the field of the novel and into that of the fable or the allegory.
In "A Clockwork Orange," Anthony Burgess explores the importance of character development in storytelling. He argues that literature should reflect the potential for change in human nature rather than portray it as rigid and unchangeable. This perspective emphasizes that novels are distinct from fables or allegories because they engage with the complexities of human experience, including the possibility of personal growth and transformation.
Burgess warns against narratives that imply human beings are fundamentally fixed in their character. Such narratives fall short of the depth that novels offer, reducing characters to mere symbols or moral lessons. Instead, a rich, compelling story should highlight the journey of characters and their capacity for change, showcasing the dynamic aspect of human life.
