With Pollution, emotion is irrelevant, it is not their nature," Mearth sighed, making a face as if she were talking to an ignorant small child. "I didn't create them, humans created the Pollution. Cheryl Nobel, Alecto Steele, Albert Sanders, Olivia Campbell, all my pretty little Representations, there aren't many of them left these days but they're still very dangerous! They're here to tell society all about its mistakes! You don't understand the world of Representations.
In "Smog City," Mearth expresses frustration over the nature of Pollution, highlighting that it is a human creation and devoid of emotion. She laments the existence of her Representations, like Cheryl Nobel and Alecto Steele, who symbolize the consequences of society's errors. Mearth feels a responsibility to convey the severity of these dangers to those who may not grasp the full impact of their actions on the environment.
Her remarks underline a profound disconnect between humanity and the pollution it generates, suggesting that people often overlook the ramifications of their choices. Mearth's desire is to make citizens aware of their environmental mistakes through the warnings of her dwindling Representations, emphasizing the urgent need for societal change to combat pollution.
